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Re: Hamlet, hands off first
Posted by L. Swilley on 5/15/08

    On 5/13/08, Julie Piascik wrote:
    > Does anyone have any good hands-on activities to engage
    > learners in Shakespeare's Hamlet?

    =========================================================

    Read Act I, sc.1. aloud in class.

    Ask a student (not the whole class):

    1)Francisco is the soldier at his post; why does Shakespeare
    have Bernardo, the man who is to relieve him, ask "Who's
    there?"

    2) "Long live the king" ? That doesn't answer Francisco's
    demand, "Stand and unfold yourself," does it? Ask a student
    to explain what's going on here.

    Continue, line-by-line, until the appearance of the ghost.

    3) Granting how the class has answered the above
    questions,ask a student to direct the first few lines; what
    is Francisco's/Bernardo's attitudes? Ask: "How would you
    direct the actors to realize these lines on stage? What
    words would be emphasized? What actions would you have them
    perform?" (Continue this "direction" throughout the first
    lines of the scene.)

    4) Play the video tape of the play up to the point of the
    ghost's appearance. Ask a student to compare the video
    presentation of Francisco with what the director-student
    prescribed. Which is better and why? (The context for these
    questions and answers is ONLY the first scene and what it
    establishes)

    5)Continue with comparable questions about the remaining
    lines of this section of the scene; then repeat the
    procedure for the rest of the scene.

    This is a very slow but really engaging method for
    dealing with any play. The discussion moves more quickly as
    the study of the play continues. Do NOT be confined by a
    cover-the-material requirement; if anything is "left over"
    when the time for the treatment of the play expires,
    summarize or assign it as homework.

    Finally, nothing will work right if the teacher does
    not know the play well, if he does not have a
    comprehensive "reading" of it, if he does not know the
    importance of the scenes or themes of it, if he does not
    delight in dealing with those, and if he is not sure why his
    students should be impressed with what he presents to them.

    L. Swilley


 
 
 
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