Ohio teacher evaluation system..... The new teacher evaluation which gives you a final rating of ineffective, developing, skilled or accomplished. Are there many states that opted out of this? I thought most were doing SLO's and the like...?
To all elementary art teachers out there---what kinds of things do you do with K-3 kids when they're done with their work, but everyone else isn't? If kids have rushed through their work, I try to get them to put a little more effort into it, but some kids are legitimately done, with time on their hands. Ideas? Thanks.
One example is the Op Art project that you see a lot with the curved lines. I have them use value with colored pencils and it takes a long time to finish. So, I will start the project during class with everyone. Then they keep them in their table folder and pull out to work on if they finish early.
for younger kids I will first have them work on unfinished work from their folder. if they are truly done with everything and done their best on the assignment, then they can take a drawing paper and a drawing book and do a free choice drawing. They must continue working quietly.
On 4/20/15, me wrote:
> To all elementary art teachers out there---what kinds of
> things do you do with K-3 kids when they're done with their
> work, but everyone else isn't? If kids have rushed through
> their work, I try to get them to put a little more effort
> into it, but some kids are legitimately done, with time on
Within the last 2 years our elementary school has taken on 15 autistic children who used to be in alternative placements. We created a program within our school for these children which has been very successful and has saved our school system a lot of $ in out-of-district tuition. Our school has 450 kids, pre K- 5th. SO, 15 out of 21 art classes ha...See MoreWithin the last 2 years our elementary school has taken on 15 autistic children who used to be in alternative placements. We created a program within our school for these children which has been very successful and has saved our school system a lot of $ in out-of-district tuition. Our school has 450 kids, pre K- 5th. SO, 15 out of 21 art classes have an autistic student and tech support for that student. Needless to say, this has had a huge impact on me, my classes, and music and PE classes as well. The kids are at all levels, from verbal to non-verbal. Of the 15 kids, I give art assessments to 12 of them. Three are so low that I do not feel comfortable grading them. Apparently, they are in my room for socialization, tho that does not really happen. They are still at the scribble stage and frequently interrupt with outbursts. Their attention spans are limited, so they often stay for a short time. I would like to come up with a different way for these 3 children to have art: I feel they should be exploring art materials instead of learning about artists and higher level concepts. The music teacher is going to try an "unified" approach, pairing the neediest of those kiddos with "normal" kids for a small, short class. The SPED director is supportive of that idea. I am not sure what I could offer as an alternative that would better meet the needs of the autistic students. Has anyone out there tried something different? Our SPED director champions inclusion, but this isn't working for anyone.
DanaHi. It seems that I have more autistic students each year. Are these students integrated in with the other classes or do you see them at a special time? Most of my students are integrated into the regular classes and a few come with an aide. This year the more severe students with autism are also integrated in with an aide or two because of schedul...See MoreHi. It seems that I have more autistic students each year. Are these students integrated in with the other classes or do you see them at a special time? Most of my students are integrated into the regular classes and a few come with an aide. This year the more severe students with autism are also integrated in with an aide or two because of scheduling. I see the need to integrate in certain situations but it does make it difficult to start a lesson when there is screaming or outbursts. It is difficult to grade when they are not at grade level so after discussing with the other special area teachers, I started giving a below average grade with a nice comment on their strengths. Sometimes the aides will take them out early because 45 minutes is very long. They used to come see me halfway through a special to integrate and stay an extra 15 minutes so I could spend time getting to know their needs and strengths and work more one on one. Unfortunately it doesn't work this year. When I saw my students on their own we could do lessons that work on their fine motor skills and tactile experiences. I used shaving cream and dropped some paint on to top (they can touch and use fingers to mix in) have a marble paint look when they press paper on top and pull a print. We have done apple prints. I've also used play-doh and real clay when I am doing a long discussion with the rest of my class to let them have a tactile experience. We also use a lot of paints- finger paint and bingo dabbers are a favorite. One of my autistic students loves to place the colored bingo dabbers in rainbow order. She would have to say the color (using what little speech she had) to say which color she wanted to use next while one student that was non-verbal would point to the red, or yellow, or blue. Did you ever try using ping pong balls? Roll them in the primary colors, place them in a lid or top of a box, place a piece of paper down and roll the balls around the lid. It makes fun abstract painting and also the rolling sound can be soothing. This year we are doing a lot of cutting and glueing. Hope this helps. Try a Matisse collage with lots of fun shapes. Good Luck! Dana
On 3/28/15, Artme wrote: > Within the last 2 years our elementary school has taken on > 15 autistic children who used to be in alternative > placements. We created a program within our school for these > children which has been very successful and has saved our > school system a lot of $ in out-of-district tuition. Our > school has 450 kids, pre K- 5th. SO, 15 out of 21 art > classes have an autistic student and tech support for that > student. Needless to say, this has had a huge impact on me, > my classes, and music and PE classes as well. The kids are > at all levels, from verbal to non-verbal. Of the 15 kids, I > give art assessments to 12 of them. Three are so low that I > do not feel comfortable grading them. Apparently, they are > in my room for socialization, tho that does not really > happen. They are still at the scribble stage and frequently > interrupt with outbursts. Their attention spans are limited, > so they often stay for a short time. I would like to come up > with a different way for these 3 children to have art: I > feel they should be exploring art materials instead of > learning about artists and higher level concepts. The music > teacher is going to try an "unified" approach, pairing the > neediest of those kiddos with "normal" kids for a small, > short class. The SPED director is supportive of that idea. I > am not sure what I could offer as an alternative that would > better meet the needs of the autistic students. Has anyone > out there tried something different? Our SPED director > champions inclusion, but this isn't working for anyone.
DanaOn 3/29/15, Dana wrote: > Hi. It seems that I have more autistic students each year. > Are these students integrated in with the other classes or do > you see them at a special time? Most of my students are > integrated into the regular classes and a few come with an > aide. This year the more severe students with autism are also >...See MoreOn 3/29/15, Dana wrote: > Hi. It seems that I have more autistic students each year. > Are these students integrated in with the other classes or do > you see them at a special time? Most of my students are > integrated into the regular classes and a few come with an > aide. This year the more severe students with autism are also > integrated in with an aide or two because of scheduling. I > see the need to integrate in certain situations but it does > make it difficult to start a lesson when there is screaming or > outbursts. It is difficult to grade when they are not at grade > level so after discussing with the other special area > teachers, I started giving a below average grade with a nice > comment on their strengths. Sometimes the aides will take > them out early because 45 minutes is very long. They used to > come see me halfway through a special to integrate and stay an > extra 15 minutes so I could spend time getting to know their > needs and strengths and work more one on one. Unfortunately it > doesn't work this year. When I saw my students on their own > we could do lessons that work on their fine motor skills and > tactile experiences. I used shaving cream and dropped some > paint on to top (they can touch and use fingers to mix in) > have a marble paint look when they press paper on top and pull > a print. We have done apple prints. I've also used play-doh > and real clay when I am doing a long discussion with the rest > of my class to let them have a tactile experience. We also > use a lot of paints- finger paint and bingo dabbers are a > favorite. One of my autistic students loves to place the > colored bingo dabbers in rainbow order. She would have to say > the color (using what little speech she had) to say which > color she wanted to use next while one student that was > non-verbal would point to the red, or yellow, or blue. Did you > ever try using ping pong balls? Roll them in the primary > colors, place them in a lid or top of a box, place a piece of > paper down and roll the balls around the lid. It makes fun > abstract painting and also the rolling sound can be soothing. > This year we are doing a lot of cutting and glueing. > Hope this helps. Try a Matisse collage with lots of fun > shapes. Good Luck! Dana > > Also, I do seat them with students that love to help and assist. > > > > On 3/28/15, Artme wrote: >> Within the last 2 years our elementary school has taken on >> 15 autistic children who used to be in alternative >> placements. We created a program within our school for these >> children which has been very successful and has saved our >> school system a lot of $ in out-of-district tuition. Our >> school has 450 kids, pre K- 5th. SO, 15 out of 21 art >> classes have an autistic student and tech support for that >> student. Needless to say, this has had a huge impact on me, >> my classes, and music and PE classes as well. The kids are >> at all levels, from verbal to non-verbal. Of the 15 kids, I >> give art assessments to 12 of them. Three are so low that I >> do not feel comfortable grading them. Apparently, they are >> in my room for socialization, tho that does not really >> happen. They are still at the scribble stage and frequently >> interrupt with outbursts. Their attention spans are limited, >> so they often stay for a short time. I would like to come up >> with a different way for these 3 children to have art: I >> feel they should be exploring art materials instead of >> learning about artists and higher level concepts. The music >> teacher is going to try an "unified" approach, pairing the >> neediest of those kiddos with "normal" kids for a small, >> short class. The SPED director is supportive of that idea. I >> am not sure what I could offer as an alternative that would >> better meet the needs of the autistic students. Has anyone >> out there tried something different? Our SPED director >> champions inclusion, but this isn't working for anyone.
i've just started at a school I used to do workshops in and they've offered me a Textile teaching job. I'm flattered as it's just me teaching it so I'll be running the area, but I'll hardly be teaching any art and what I do teach will be lower school no GCSE or A level. I don't know what to do. I'm flattered, it' slovenly to be asked, but I'm just not excited by textiles - I've been teaching it for 6 months now and have done a good job- they want to keep me, but I'm an art teacher. I paint and sell my work outside of school, teaching art is what inspires me it's all I know. My textile skills are OK but no-where near what they could be as a subject specialist. Should I walk away from this opportunity and look for what I want and maybe not get it; this is a perm job offer after all, there's no a lot out there at the mo but I live in London so stuff'll come up eventually??
I think you should take the job (for now). Since there are limited art teacher jobs, take this job for the $$$ and experience. Keep you eyes open for art teacher opportunities. When you get an art teacher job, you can quit this job. Yet, you will know more about fibers and have other kinds of job experiences. I am old. I have been there, done that. :-) wizzle
On 3/09/15, Artygirl wrote: > Hi i've been an art teacher in one capacity or another for a > long time. > > i've just started at a school I used to do workshops in and > they've offered me a Textile teaching job. I'm flattered as it's > just me teaching it so I'll be running the area, but I'll hardly be > teaching any art and what I do teach will be lower school no > GCSE or A level. I don't know what to do. I'm flattered, it' > slovenly to be asked, but I'm just not excited by textiles - I've > been teaching it for 6 months now and have done a good job- > they want to keep me, but I'm an art teacher. I paint and sell > my work outside of school, teaching art is what inspires me it's > all I know. My textile skills are OK but no-where near what > they could be as a subject specialist. Should I walk away from > this opportunity and look for what I want and maybe not get > it; this is a perm job offer after all, there's no a lot out there at > the mo but I live in London so stuff'll come up eventually?? > > Please help I'm really confused.
I think I would take the opposite approach. Find a great standard based project that will hook them in and engage them. I have found that the right project will engage the most difficult student. I purposely save my most interesting projects (clay, printmaking with soft-kut etc.) for right before Spring break and save my less interesting projects (drawing etc.) for times when I don't have so many outside distractions to fight.
wizzlewolfOn 3/03/15, Bill wrote: Sadly to say, > we are completing bookwork from and older version of > Understanding Art and the kids are bored out of their minds.
You answered your own question. The kids are bored because they are not engaged. Create a hands-on project which exemplifies the "book work". Stop reading. Start DOING.
You're preaching to the choir. I spoke with her this morning and she immediately blamed her student teacher for keeping the kids. I said, "Well I just wanted to be sure you know that art is part of each child's curriculum and missing art should not be a consequence for not finishing work." She said, "Oh, I know! But it was HER consequence, not mine. I know art is important!" (But in truth, she has done the same thing in the past.) I asked her if she'd like me to talk to her student teacher about it, but she declined, saying that this was her last week anyway. SO- a missed opportunity to educate a teacher new to the profession, but at least Mrs. P. got the message... > school >> curriculum- they only have art once a week for Pete's > sake. >> Not only that, but she has a student teacher who is > getting >> the wrong message about appropriate consequences for not >> getting work done. I will address this with her on > Monday, >> but I need some words to help me communicate to her that >> this will not work in the future. Anybody? > > Withholding art as a negative consequence, like missing > recess, gives students the message that art is no more > important than recess. It also reflects and maintains the > belief among classroom teachers that art is not an > important subject. When students, staff, administration, > and parents do not think of the arts as important subjects, > then the arts will be cut when education funds are low. Is > this really what classroom teachers want? In the worst > case scenario, classroom teachers will be required to teach > art, music, and PE in their own rooms, as they used to do > in the past. > > When students view specials as play, many of them don't do > good work. Why pay a certified art teacher who produces > student art work that is no more advanced in quality than a > TA or a community volunteer with no art ed training would > do? Again, it is a school expense that could be cut, should > the day come when a district needs to cut back. You need to > be accountable for your teaching to some extent, just as > she does, although not nearly to the degree that she does. > So, you want to work together somehow. > > You might ask if you can help her with the students in some > other way. >
ArtmeOn 3/01/15, wizzlewolf wrote: > On 2/28/15, anon wrote: >> On 2/28/15, Artme wrote: >>> This week I had a first grade teacher who decided to keep >> 5 >>> children in the classroom when she brought the rest of >> the >>> students to art because they "hadn't finished their >> math." >...See MoreOn 3/01/15, wizzlewolf wrote: > On 2/28/15, anon wrote: >> On 2/28/15, Artme wrote: >>> This week I had a first grade teacher who decided to keep >> 5 >>> children in the classroom when she brought the rest of >> the >>> students to art because they "hadn't finished their >> math." > > This has been happening to me this year too. I think this is > horrible. Also, it does send a message to students "art isn't > important". This is outrageous! > > HOWEVER, this is a battle you will not win. In these times of > testing and teacher evals based on student achievement, it will > probably become even more common in coming years. I have spoken > up about students missing my classes. However, the bottom line > is their math and reading scores are going to have an effect on > our school rating. My principal thinks art is important, but not > as important as those math and reading scores he needs for the > school to survive. This is frustrating. > > I have come to grips with this and enjoy occasional smaller > classes. The most interesting part of all this is we started > state mandated ART assessments this year. So, how will that > figure in to this predicament? How can my kids achieve and score > well on art assessments if they aren't coming to art??? It is > all such a tangled mess!
Yes- and considering that we have 45 minutes to one hour a week to deliver this curriculum which will now result in a high-stakes test, our hands become further tied. Don't get me started on SLO's for art. My principal wants me to create and administer a test that will then become part of my evaluation. How valid is that???
ArtmeOn 2/23/15, Dale D wrote: > I'm hoping someone can help me with this. A very long time > ago I attended a workshop in which the presenter made a > large Easter egg using plaster of Paris. He made a solution > of p. of P. in a glass coke bottle, then fixed an inflated > 6- or 9-inch round balloon over the mouth of the bottle. He > ...See MoreOn 2/23/15, Dale D wrote: > I'm hoping someone can help me with this. A very long time > ago I attended a workshop in which the presenter made a > large Easter egg using plaster of Paris. He made a solution > of p. of P. in a glass coke bottle, then fixed an inflated > 6- or 9-inch round balloon over the mouth of the bottle. He > then inverted the bottle, allowing the p. of P. to flow into > the balloon. After making sure that the balloon was evenly > coated, he removed the then solid balloon and peeled away > the rubber balloon. What remained was a perfectly formed > egg which could later be scratched upon to cut out a window, > and thus, form a shell for a diorama. I remember this part > of the workshop clearly. What I do not remember is the > proportion of p. of P. to water (other than the coke bottle > was about half full). I know nothing about plaster of > Paris. Can anyone tell me (1) what proportions of materials > to use and (2) if a plastic water bottle would do in place > of the coke bottle? The consistency of the plaster of Paris is what's important. It needs to be mixed so that it would be pourable- probably about the consistency of pancake batter. And I'm sure any container would do, as it's only in the container for a short time.
I haven't taught a visually impaired student, but I have had plenty of students with cognitive issues. If the student is able to understand the concepts, by consistent placement of paint, they can mix colors knowing the basic principles of yellow plus red makes orange. You can talk to them about warm and cool colors using the tactile terms fire and ice. Clay, weaving, bead stringing and other manipulative crafts can be handled by most blind students with a little help. Plus, you have an aide in class. Make use of that!
ArtmeOn 2/23/15, Kathleen wrote: > On 2/23/15, Artme wrote: >> I just found out that I will be getting a new student who is >> blind (visually impaired). He is a first grader and he will >> attend art class with a one-to-one ed tech. I have taught >> for MANY years and I have had students with many >> disabilities, inclu...See MoreOn 2/23/15, Kathleen wrote: > On 2/23/15, Artme wrote: >> I just found out that I will be getting a new student who is >> blind (visually impaired). He is a first grader and he will >> attend art class with a one-to-one ed tech. I have taught >> for MANY years and I have had students with many >> disabilities, including several who were legally blind, but >> this has me stumped. Have any of you had experiences >> teaching art to someone who is completely blind? I would >> appreciate any tips you might have. > > Sorry about all caps in the linked title below; I copied and > pasted it from the Nat'l Federation for the Blind website > where there is a list of articles on their site that will be > helpful to you. Also, I'm sure the art teachers here will have > more ideas and support. > > Please come back and update the group periodically to let us > know how you meet this challenge. Best of luck to you and your > new student! > Kathleen Thank you. The articles had some great suggestions and resources. As soon as I read them, my creative juices started to flow..... I'm so much less intimidated!
This is really freaking me out. I have taken advantage of this art teacher community for decades. I have always loved it. Now, it is so quiet; it is alarming. WHY? Young and old art teachers speak up. What is happening now? Why don't you want to speak up or share? What is going on here?
For the most part, each student is working on his own work, not in groups, or not that often; the room is fairly quiet because the students are thinking and listening to the teacher. Not long lectures but some brief verbal instruction and demonstration is necessary in the districts that do not provide their art teachers with any technology at all. (Some do not even have an art room.) The emphasis would be on original work, building skills, and not on make-and-take, instant art, packaged kits, tracing purchased patterns, group projects where one person does most of the work and the others color in the outlines, kids are jumping off tables, lying under tables and drawing on butcher paper taped under the table top so that they can feel what the Lascaux cave artists "felt" etc.
To many, the term "traditional" just means outdated, outmoded.
Sheree RenselOn 2/07/15, quiet person wrote: > On 2/07/15, wizzlewolf wrote: >> On 2/06/15, quiet person wrote: >>> I stopped reading this board a few years ago because as > a >>> more traditional art teacher, I did not relate to those >>> who dominated the board a few years ago. I think it was >>> CiCi in Paradis...See MoreOn 2/07/15, quiet person wrote: > On 2/07/15, wizzlewolf wrote: >> On 2/06/15, quiet person wrote: >>> I stopped reading this board a few years ago because as > a >>> more traditional art teacher, I did not relate to those >>> who dominated the board a few years ago. I think it was >>> CiCi in Paradise who was the only poster I could relate >>> to. I cannot relate to promoting noisy and chaotic art >>> rooms, providing patterns, templates, and purchased kits >>> to students (as opposed to teaching them to draw their >>> own), which are just a few of the practices promoted by >>> the dominate posters. That was just MY reason, since we >>> were asked. >> >> >> WHAT is a traditional art teacher? Just curious. > > > For the most part, each student is working on his own work, > not in groups, or not that often; the room is fairly quiet > because the students are thinking and listening to the > teacher. Not long lectures but some brief verbal > instruction and demonstration is necessary in the districts > that do not provide their art teachers with any technology > at all. (Some do not even have an art room.) The emphasis > would be on original work, building skills, and not on > make-and-take, instant art, packaged kits, tracing > purchased patterns, group projects where one person does > most of the work and the others color in the outlines, kids > are jumping off tables, lying under tables and drawing on > butcher paper taped under the table top so that they can > feel what the Lascaux cave artists "felt" etc. > > To many, the term "traditional" just means outdated, > outmoded. >
OK. I am assuming this is the description of the "traditional art teacher". I would love to hear the description of the "updated, upmoded, untraditional art teacher's class. I want to read about this.............Seriously! Tell me more!