JosieSorry for the blank entry! I wanted to chime in and say that years ago I allowed even my Jr. High students to use exactions but now, in 2014 no way. Not for fear that the students would hurt themselves, but that they would hurt someone else. Check with your administration first and get their answer in writing if they do give you the go ahead. I my ...See MoreSorry for the blank entry! I wanted to chime in and say that years ago I allowed even my Jr. High students to use exactions but now, in 2014 no way. Not for fear that the students would hurt themselves, but that they would hurt someone else. Check with your administration first and get their answer in writing if they do give you the go ahead. I my guess is that they will say no. For the sake of your job and your teaching certificate you have to cover yourself. We've had a couple of incidents happen at our school and one teacher was fired because of it. Be careful-- in my opinion it isn't worth the risk. On 2/16/14, Josie wrote: > On 2/16/14, hmmm... wrote: > >> If you can trust your chosen class then try it on a limited >> test run, and or get the >> box cutters where you can set the >> blade back in retract in the grip housing (by a >> screw) so >> only a tip or part of the blade can only be seen. Exacto brand >> used to >> make a boxcutter where you could set and retract the >> blade inward so the very >> tip could only be seen, then cap >> the grip housing closed with a screw. A whole >> box cutter >> blade is tempting for any student. A near certainty a student >> or >> bystander will get cut or clothes being damaged, and a >> parent will be wanting >> answers. Also if you value your art >> tables, or your tables are a mess and it does >> not matter box >> cutters will certainly find their way to carving something >> other >> than a project. I took a classroom over from an art >> teacher who allowed >> boxcutters and the HS students cut V >> holes, chunks, and slots out of every table. >> Scratching >> across the top surface ruining the surface of every table in >> the room >> in the process. Even dull box cutter blades can do >> this type of damage. >> >> On 2/14/14, The Cutting Edge wrote: >> >>> Do you allow your secondary students to use box cutters? I >>> am thinking of letting my 7th graders use them for an >>> upcoming assignment to cut and shape boxes. I think I will >>> manage it by giving one per group of 4 /1 per table. Then >>> the students will have to share. I recall years ago one of >>> my mentors teaching an assignment to 7th graders or 8th >>> graders with cardboard and I am pretty sure they used >>> blades and heavy scissors. I have also read the survival >>> kit for elementary and middle school art and it suggest >>> that 7th grade is fine for using x-actos so maybe I will >>> get that in stead of boxcutters. They are pretty darn sharp >>> as well but the blades are smaller Would love to hear tips >>> on management of cutting tools and experiences in class.
ArtinGAYou can do it, but you need to be prepared. My 8th grade students used box cutters / craft knives in class during the second quarter this year. They made cardboard heads. I checked in with my principal first to ask him about his opinion. Then, we did extensive safety training (demonstrations, PowerPoint, and watched a training video on using them)....See MoreYou can do it, but you need to be prepared. My 8th grade students used box cutters / craft knives in class during the second quarter this year. They made cardboard heads. I checked in with my principal first to ask him about his opinion. Then, we did extensive safety training (demonstrations, PowerPoint, and watched a training video on using them). Students had to pass a safety quiz, demonstrate to me how to properly use a knife, and sign a safety contract. Luckily, both classes I had were about 25 students, so this was feasible. Students used large boards under their work, so that they didn't damage the table tops. I kept the knives in a caddy on my desk that held each knife in a labeled sections. They had to sign out and in the knives each period. We also discussed that if the knives left the room that they became weapons and no longer art tools. Because of this, the knives weren't allowed in pockets or left unattended. There are safety box cutters you can get that don't have an exposed blade (safetycutting dot com). Luckily, I had a VERY well behaved group of students that quarter. Unfortunately, I haven't been able to do it since due to the maturity levels of the students in my classes. Hopefully, we can next year because the students who did the project really enjoyed it.
On 2/16/14, Josie wrote: > > Sorry for the blank entry! > I wanted to chime in and say that > years ago I allowed even my Jr. High students to use > exactions but > now, in 2014 no way. Not for fear that the students would hurt > themselves, but that they would hurt someone else. Check with your > administration > first and get their answer in writing if they do > give you the go ahead. I my guess is > that they will say no. For > the sake of your job and your teaching certificate you have to > cover yourself. We've had a couple of incidents happen at our > school and one teacher > was fired because of it. Be careful-- in > my opinion it isn't worth the risk. > > > On 2/16/14, Josie wrote: >> On 2/16/14, hmmm... wrote: >> >>> If you can trust your chosen class then try it on a limited >>> test run, and or get the >>> box cutters where you can set the >>> blade back in retract in the grip housing (by a >>> screw) so >>> only a tip or part of the blade can only be seen. Exacto brand >>> used to >>> make a boxcutter where you could set and retract the >>> blade inward so the very >>> tip could only be seen, then cap >>> the grip housing closed with a screw. A whole >>> box cutter >>> blade is tempting for any student. A near certainty a student >>> or >>> bystander will get cut or clothes being damaged, and a >>> parent will be wanting >>> answers. Also if you value your art >>> tables, or your tables are a mess and it does >>> not matter box >>> cutters will certainly find their way to carving something >>> other >>> than a project. I took a classroom over from an art >>> teacher who allowed >>> boxcutters and the HS students cut V >>> holes, chunks, and slots out of every table. >>> Scratching >>> across the top surface ruining the surface of every table in >>> the room >>> in the process. Even dull box cutter blades can do >>> this type of damage. >>> >>> On 2/14/14, The Cutting Edge wrote: >>> >>>> Do you allow your secondary students to use box cutters? I >>>> am thinking of letting my 7th graders use them for an >>>> upcoming assignment to cut and shape boxes. I think I will >>>> manage it by giving one per group of 4 /1 per table. Then >>>> the students will have to share. I recall years ago one of >>>> my mentors teaching an assignment to 7th graders or 8th >>>> graders with cardboard and I am pretty sure they used >>>> blades and heavy scissors. I have also read the survival >>>> kit for elementary and middle school art and it suggest >>>> that 7th grade is fine for using x-actos so maybe I will >>>> get that in stead of boxcutters. They are pretty darn sharp >>>> as well but the blades are smaller Would love to hear tips >>>> on management of cutting tools and experiences in class.
JosieI have 300 students and teach 6 classes a day.... and feel like I have it WAY easy compared to others. So, yes--I'd say grab that job and hold on tight!
gwynnetxAnother organizational tip I thought might be useful: name your drying racks. In the back of my room, I have a giant whiteboard that I've divided into 5 rows and 7 columns. The top row has the date (in the first column), and then 5th, 4th, 3rd, 2nd, 1st, K. Each grade has a column. I teach them how to read the chart so that they can figure out what...See MoreAnother organizational tip I thought might be useful: name your drying racks. In the back of my room, I have a giant whiteboard that I've divided into 5 rows and 7 columns. The top row has the date (in the first column), and then 5th, 4th, 3rd, 2nd, 1st, K. Each grade has a column. I teach them how to read the chart so that they can figure out what their grade is doing. The second row is "What I will learn?", the third is "Which materials will I use?", the fourth is "Which drying rack will I use?", and the fifth is "What do I do when I am done?" I fill the chart out and update it as needed. For "Which drying rack will I use?", I have laminated labels with a magnet on the back that corresponds to labels that are attached to the drying racks themselves. (I named mine after famous artists, and each label has the artist's name and picture on it.) That way I can "fill in" where each grade level should put their work by placing that laminated magnet in the grade level's column. If the artwork's not going in the drying racks, then I just write "Table Stack" and have a student go around and pick up all of the artwork. It keeps the "Where do I put this?" questions to a minimum, students are more able to problem solve and be self-sufficient, and it keeps all of the class's artwork together. The next morning, I have the student who sits next to that drying rack take out the artwork, stack it, and put it in the appropriate slot in the project holder. (I do have 5th grade first thing in the morning, and they're really good about getting it all in the right place.)
On 3/30/14, gwynnetx wrote: > I'm with those who say it sounds like a dream job. I teach K-5 art > at a school with about > 850 students. I teach 6 classes a day, > each with about 20-27 students (23 is about the > norm). We do the > alternating schedule, and I think it's the bee's knees. Frankly, I > don't > know of any school in the surrounding area that doesn't have > this type of set up, even our > IB schools. I think it's REALLY bad > advice to tell you that 200 students is a ridiculous load. > > Some > ways that I organize (that's the key word!) to keep track of all > artwork and kids that > I have per rotation (would you rotate kids > with other fine arts or PE?) is to set up the > grade book first > thing and make a seating chart template. When the kids come to me, > I > assign seats, write it down, and then 3 hole punch that and put > it in a binder. From then > on, I just flip the page in the binder > when they walk in the door. I can keep notes on that > page, record > absences, etc., and it's all right there. > > For organizing > artwork, I have one of those construction paper holders. On one > side, I > keep the "A" day artwork (each is in it's own slot), and > on the other is the "B" day artwork. > As for planning, if you > don't want to handle 12 classes worth of clay projects, for > example, all you have to do is spread out your projects. (Ex. While > one group are doing > "wet" projects like painting, the other is > doing "dry" like drawing. Although after 15 years > of teaching, I > can tell you that it's SO much easier to just do the same thing two > days in a > row.) > > I don't know the requirements for the > assessments, but I would advise you to work it into > your project > time line. Make it routine in your classroom, and make it so that > students > can do most of it themselves. Figure out how to put some > of the work onto the kids. It > gives them some ownership and > accountability in addition to serving as an efficient way > to > collect data and determine grades. (Notice that I did not say put > ALL the work on the > kids.) > > For example, my students get a > sketchbook at the beginning of the year. (It's about 15 > pages of > 8.5"x14" paper folded and stapled by our district's copy center.) > On the back > two pages, I have several assessment pages, and the > kids fill out one for each project. > They write their name, grade > level, teacher's initial, lesson objective, vocabulary words > (definitions are written in the sketchbook), materials used, and a > reflective paragraph > about how they think they did and why. Then > they cut it out, turn it in, I record the > grade, pass it back out, > and it gets glued onto the back of the project to go home to > mom > and dad. Done. (I also do a really quick chit-chat with each > student about their > reflective statement.) > > Anyway, this job is > TOTALLY doable. Next year, we are projected to have 930 students, > so > my class size numbers will be increasing. No problem! > > On > 3/30/14, Lidia wrote: > >> On 3/29/14, Absolutely not! That's a ridiculous student load >> wrote: >>> And no, it's not a "standard" that any good school would expect >>> you to bear. The admins need to loosen their purse strings and >>> hire a second art teacher! >>> >>> You'd be grading every single art project 200 times. You'd >>> have to submit 200 report card grades every however-many weeks >>> (and probably 200 progress reports in between the actual report >>> cards). >>> >>> Follow your guts on this one. Strongly, strongly advise that >>> you turn down their job offer. If they're already cutting >>> corners on the faculty they need, they'll be cheaping out on >>> other stuff too (which means you could wind up buying art >>> supplies for 200 kids out of your own pocket). >>> >>> It sounds as though somebody decided to open a charter school >>> who has no idea how to run a school, or who is hoping to save, >>> save, save money that SHOULD be serving the children and pocket >>> the excess him/herself. They obviously place very little value >>> on art instruction, to say nothing of what's best for the >>> children in general. Stay far, far away from that school; the >>> ridiculous student load is only one huge red flag indicating >>> more headaches and abuse to come. >>> >>> >>> On 3/29/14, Lidia wrote: >>>> Hello everyone! I'm wondering what experienced art teachers >>>> think of being asked to teach 200 students? I was offered a >>>> job at a charter school with a beginning enrollment of 200. >>>> The expectation was that I teach 5 classes a day, with 20 >>>> students per class. The kids would come to me on alternating >>>> days and I would have a grand total of 200. This is an IBO >>>> school, btw, so assessments are quite strict. Is this >>>> standard? I've never had more than 130 students before, and >>>> even that felt like a stretch...any feedback/comments >>>> welcome. Thank you so much! >> >> That WAS my gut feeling, yes. And not just 200 art projects, but >> 200 homework assignments, 200 individual portfolios (IBO >> requirements) ... I do have a family of my own I'd like to spend >> time with now and then. Thanks for your input. I've heard from >> people dealing with up to 600 kids a week. I'd love to know how >> they do it.
On 4/01/14, Center Seeker wrote: > Does anyone have any good suggestions for art centers for > students with moderate to severe autism or learning > disabilities? Thanks.
I too want to be an art teacher...this is what I suggest: Get your Masters in Teaching - you can earn a Masters in Education online now easily You cannot substitute teach without a license- only Educational assistant-- and it is a dead end job - get your teaching degree first. Art teachers are being laid off all the time -- just to let you know it is very highly competitive - try to work overseas -- go to [link removed]
gwynnetxAs a 15 year teacher (10 of those art), I would suggest getting an aide job while going to school for your teaching certificate, if you are absolutely sure that you want to be an art teacher. Being an aide will allow you to experience what it's like to be a teacher in the school system as well as allow you to get to know people who might have the p...See MoreAs a 15 year teacher (10 of those art), I would suggest getting an aide job while going to school for your teaching certificate, if you are absolutely sure that you want to be an art teacher. Being an aide will allow you to experience what it's like to be a teacher in the school system as well as allow you to get to know people who might have the power to hire you later. I would take issue with the previous poster that private and Catholic schools offer better art programs than public schools or that you have to leave the country to find a job. The art program depends on the teacher mainly and to some extent, imo, the support that you receive from your admin. Jobs are going to be fewer because there's usually only one teacher per campus, maybe two. But in my experience, schools tend to hire who they know. Several aides at my campus have gone on to get teaching certificates and then been hired on in the district. The biggest advice that I can give to you is to make sure that teaching is what you want to do before you invest your time and money into further education and pursuing a teaching certification. It's not the subject matter that the challenge, it's classroom management and discipline. Most of that comes from the experience of being in a classroom (hence, the advice to get an aide job while going to school; first hand observation is invaluable) and learning to run it efficiently. But there's big difference between providing child care and managing 6 classes a day (in my case), each one averaging 20-27 students with more in the upper grades. (And then, of course, there are the numerous committees, meetings, etc., etc.) And the online master's thing? If it doesn't require any student teaching, or very little, I would avoid it. On 3/25/14, Grace wrote: > On 3/25/14, Jamie Cunningham wrote: >> Hello all. I was just honestly wanting some advise from >> anyone in this field. I have loved art since childhood and >> nothing is more powerful than the ability to share that >> with children. Problem is I only have an associates in >> graphic design, with no experience, and I have years of >> experience with child care (even with disabled children) >> with no degree or accreditation. I guess my question is, >> should I try more schooling or try for some kind of >> teachers aide job to get my foot in the door? > > > I too want to be an art teacher...this is what I suggest: > Get your Masters in Teaching - you can earn a Masters in > Education online now easily > You cannot substitute teach without a license- only Educational > assistant-- and it is a dead end job - get your teaching degree > first. Art teachers are being laid off all the time -- just to > let you know it is very highly competitive - try to work > overseas -- go to [link removed];
SHI'm sorry you're having such a tough time - I have been there!!! (many, many times) What I usually do is create a packet for whatever topic they would have been learning about. For instance - when they were learning about Georgia O'Keeffe I created a packet with: - a bio that I copied and pasted from a website - a bunch of questions in response to ...See MoreI'm sorry you're having such a tough time - I have been there!!! (many, many times) What I usually do is create a packet for whatever topic they would have been learning about. For instance - when they were learning about Georgia O'Keeffe I created a packet with: - a bio that I copied and pasted from a website - a bunch of questions in response to the bio (multiple choice, true/false AND answer questions) - a brief essay question, like, Would you consider O'Keeffe's artwork to be abstract or realistic? Why? - some image identifying questions (i.e. which of these images is one of O'keeffe's landscapes) - a "fill in the other half" drawing that they could do in pencil. I printed out a bunch of O'Keeffe's more symmetrical flower paintings and cut them in half, then taped a half onto a paper in each packet. (I'm going to try and put a link to this so you can see, but the one's I show in my blog were not a punishment, but rather a supplement to a lesson BEFORE they did their real artwork) - a word search and/or crossword puzzle related to the artist or type of artwork The kids HAAAAAATTTEE not getting to do art, so this usually lasts for about 2 classes then they beg to go back to art making. Good luck! SH
Could some of you teachers tell me one or two of your best graphic/digital art projects? I am starting a computer graphic arts class in a middle school and need some direction. What have you done with students that really went over well? Thanks!
Hmmm...Many HS positions dealing with photoshop or 'photog' are given to the English/Lit teachers because they do yearbook/newspaper/newsletter. So an art teacher will probably have to do yearbook if photoshop is desired. I haven't seen too many who teach photoshop with actual art training which is a shame. I have used photoshop since 1993, but never foun...See MoreMany HS positions dealing with photoshop or 'photog' are given to the English/Lit teachers because they do yearbook/newspaper/newsletter. So an art teacher will probably have to do yearbook if photoshop is desired. I haven't seen too many who teach photoshop with actual art training which is a shame. I have used photoshop since 1993, but never found that magic photoshop lesson book for classrooms. I have taught at several districts that have photoshop in their end of year art galleries, basically they teach montage lessons, layers, dissolve, contrast, sort of personal viewpoint of students lessons with the plethora of photoshop filters. Believe me, if a principal asks you to teach a photoshop lesson during an interview, you probably know more about the program than they do. The best way to learn photoshop or 'how to' books are probably through Adobe. ^ On 3/14/14, Julie wrote: > Hi, I have been trying to get an art teaching position for > quite some time now. I have been noticing most high school > positions are requiring photography and photoshop > experience. I have a basic knowledge of both but do not > feel that I am qualified to have an intelligent "how to" > teach either one during an interview. I have put on my > to-do list that I must take classes to update me on both > subjects. > > Are there any good books out there that any of you can > suggest? Books with the basics and suggestions for lessons > at the high school level? > > Thanks in advance
HmmmThat's nuts!! Stop volunteering and use that time to take care of things you need to be an efficient and effective teacher (not to mention a traveling teacher!). Down the road, when you feel like you have a handle on your routine and are in a groove, then you can pick up the volunteering again, if you want. But that's crazy. Don't stretch yourself...See MoreThat's nuts!! Stop volunteering and use that time to take care of things you need to be an efficient and effective teacher (not to mention a traveling teacher!). Down the road, when you feel like you have a handle on your routine and are in a groove, then you can pick up the volunteering again, if you want. But that's crazy. Don't stretch yourself thin trying to do extra projects for other people. (BTW, I'm not intimating that you are not already an efficient and effective teacher, I'm just saying that if you're feeling like you need more time, then stopping or curtailing the volunteering is a place where you can gain some.) On 3/02/14, Michelle wrote: > Hi friends, I am looking here for support on a few problems > I am having as a new art teacher. I was literally hired on > the fist day of school in september and feel like there was > some kind of new teacher handbook that I never received! I > am split between two elementary buildings and am the only > elem art teacher in my district, teaching over 1200 > students a week..completely overwhelming but i am managing > somehow. The kids have 30 min of art once a week and I > teach 1st-5th grade. I volunteer lots at the building that > I end my day in and I don't mind doing extra projects for > them that they ask for...but the other building has gotten > whim and is questioning why I never volunteer for them. > Plus I haven't taken pictures of the things I have > volunteered for in the other building, so I have no > evidence of all of the hard work I've done...and I am not > one to toot my own horn or go telling everyone everyone in > administration each time I volunteer my time. I feel so > stretched for time and overwhelmed already teaching 9 and > sometimes 10 classes a day. Help!
We all feel like there's some teacher handbook we never got - the first year of teaching can leave you feeling like you're drowning and you thought you knew how to swim. There's so much that just happens in schools that's not written down anywhere - as in my last job, my boss was not my Principal - how strange is that? - but the head of our Department who did not even teach in my building or at my level. Nobody told me...
That said - you've Got to take photos of your volunteer projects! It's too late to take them now but from now on - you have a cell phone right? Just take the photos with your cell phone - nothing could be easier.
And technically... you're not volunteering you can tell the other building - you're doing things you're asked to do. You're not being paid overtime but it's not like you asked "Is there anything else I can do to help out around here?"
That would be volunteering - how many days do you stay after school? It would be wise to give half the time to the other school. Why not cut back to staying after school two days a week - and give one day each to each school.
Get some mothers to help you - put together a volunteer committee to recruit artistic parents to come in and help you with these extra projects you're asked to do.
Or you could give it up altogether and here's a graceful way out - tell the second building that you're now having rotator cuff issues and you want to avoid surgery so you have physical therapy three times a week. Or massage therapy and your insurance sends a therapist to your home so you have to go home. And then don't take on any more projects at your first school because of your rotator cuff issues.
I have been teaching for 7 years - and I have 7 years worth of used and abused, started and abandoned, intact and disassembled watercolor trays in my room.
Some colors get used more and faster than others, so when a tray is almost gone, I usually pop out the leftover circle of paints and keep them in a bucket. Now I have 4 buckets full! When is enough enough!!???
What do you guys do about your watercolor paints? Trash them when a few colors are gone? constantly buy refils and keep using the same trays?
Hmmm...I always order Prang Oval refills (never the squares as I always inherit an artroom with oval paint holder). I have squirted tempera into empty ovals to turn them into tempera ovals then put into seperate palette tray for a class set. Some teachers will add egg to give the tempera some stickiness to stick to the ovals and so they do not fall out li...See MoreI always order Prang Oval refills (never the squares as I always inherit an artroom with oval paint holder). I have squirted tempera into empty ovals to turn them into tempera ovals then put into seperate palette tray for a class set. Some teachers will add egg to give the tempera some stickiness to stick to the ovals and so they do not fall out like a dry cake. I also take the pallette paint holder out of the cover tray to ensure paints dry for later use. Love Prang brand, I never will go with anything else. On 3/11/14, SH wrote: > Hiya, > > I have been teaching for 7 years - and I have 7 years worth > of used and abused, started and abandoned, intact and > disassembled watercolor trays in my room. > > Some colors get used more and faster than others, so when a > tray is almost gone, I usually pop out the leftover circle > of paints and keep them in a bucket. Now I have 4 buckets > full! When is enough enough!!??? > > What do you guys do about your watercolor paints? Trash > them when a few colors are gone? constantly buy refils and > keep using the same trays? > > Thanks! SH
SHI've been teaching elementary art for 7 years and I still struggle with this... The students usually shove their work in their backpacks no matter what I do or say. It's hard to watch/accept, but I'd like to think that when they get home, someone looks through their bag and will salvage anything that they want to frame or keep. Most years I keep al...See MoreI've been teaching elementary art for 7 years and I still struggle with this... The students usually shove their work in their backpacks no matter what I do or say. It's hard to watch/accept, but I'd like to think that when they get home, someone looks through their bag and will salvage anything that they want to frame or keep. Most years I keep all of the student work until the end of the year, have an art show, and then just send massive amounts back to the teachers. i apologize profusely to the teachers and send older students to each classroom to the little kids cubbies. Its usually fine, except for one year I found ALL of the classes work from the whole year in a pile in a classroom and when I asked the teacher she didn't feel like handing it all back and didnt think they'd care much anyway (!). One year I asked each student for a paper shopping bag to put their work in. This would be a great solution to your worry that they shove their work in their bags... It ended up being overwhelming. 500 students, 500 bags, thousands of projects to sort through... oy! Try the bags if you are, perhaps, more organized than I was. It was nice to see each kid with their little tote of artwork neatly curled up inside. SH