I started using this "Fakebook" profile template this year for character study and my kids loved it! I thought I'd share it with you so that you can use it next year, too.
I am in my 4th year teaching, and I know that I should already know this, but I don't. And, I really struggle with it. How do other English teachers incorporate grammar/usage/mechanics, reading literature, and writing. Do you do it individually in units? Have certain days you focus on certain topics? I just can't seem to find what works.
Marjorie's right - for thinking English teachers, it's a hodge-podge really. Which is why some schools - like my latest one - separate 'English' or 'Language Arts' into two classes - writing and reading are separate. It makes much more sense to do it this way and - it's easier on English teachers too.
I could write a volume - actually somebody has - on why we try to teach writing based on the literature they've read. It was started long ago by a professor at Harvard and become the dominant model for writing instruction - and he only did it because he Hated teaching writing and loved literature.
A high school model that I like a lot has students trying to replicate the style of what they just read rather than writing essays on it. Read a short story, write a short story. Read a poem, write a poem. Read an essay, write an essay - rather than constantly writing essays. Why do we read fiction and then teach expository writing off the fiction? The Harvard professor wanted to do it that way...and we still do.
If your students' speech - as Marjorie describes her students' speech - - is very dialectical, that's a huge challenge for student and teacher alike. How do you write properly if you don't speak properly?
But to answer your question - I jump around a lot during the year and I move units around as I see students waxing and waning or taking interest - I take their energy levels into consideration when I move on to a new unit. One year I tried doing a 'grammar day' every Wednesday and then because I came to believe that grammar instruction did not really impact on their writing or their speech, I came to do less and less grammar. Students were perfectly capable of doing well on grammar tests but looking back at me mystified when I'd circle - "He don't act like he cares but that he might of gone yesterday but was sick" - as needing correction...
I've come to finish every year with a poetry unit because it works - they like it, it's a nice finish. I find it's best to work in 'units'. When we read a novel, we focus on the novel with some writing. When I'm required to read x books a year, I do it that way - I move through the reading having them write along the way.
I believe the research paper should be taught in the Natural Sciences and the Social Sciences from where it comes. Research is the foundation of modern knowledge and teaching the research paper as just another style of writing has never made sense to me. A research paper - such as the one that first suggested to us that smoking was linked to cancer - or the one that demonstrated that welfare mothers never do return to work - is on a different level of importance than the five paragraph essay.
I disagree with relegating the research paper to science courses. It's not just a research paper; it's researched argumentation - taking a position on a debatable issue and adequately supporting it with relevant, reputable evidence. Writing this paper involves recognizing and practicing appeals to logic and emotion, and addressing the opposing point of view. It involves writing coherent paragraphs and organizing the paragraphs into a readable, persuasive essay. It involves careful paraphrasing and citing sources both in the text and in the works cited page. Writing this paper develops skills that will be used in college, in careers and in civic life.
My second point is that, contrary to the usual custom of lumping poetry together into a separate unit, why not incorporate it throughout the English course by including poems with thematic links to whatever novel or short story or nonfiction piece is being studied? The Glencoe literature study guides often include poems with a thematic link; for example Animal Farm is linked with "The Last Word" by Matthew Arnold. I think this helps students make connections using higher level thinking skills. Also, it hey only read poetry for a couple of weeks or however long a year, they forget the skill of how to read and appreciate a poem, and learn to hate poetry. If anyone likes this idea but is too busy to hunt down a linked poem, post on this board and I will be glad to assist.
On 7/15/13, Sara wrote: > On 6/18/13, Kim Rauser wrote: >> I am in my 4th year teaching, and I know that I should >> already know this, but I don't. And, I really struggle with >> it. How do other English teachers incorporate >> grammar/usage/mechanics, reading literature, and writing. >> Do you do it individually in units? Have certain days you >> focus on certain topics? I just can't seem to find what >> works. > > Marjorie's right - for thinking English teachers, it's a > hodge-podge really. Which is why some schools - like my latest > one - separate 'English' or 'Language Arts' into two classes - > writing and reading are separate. It makes much more sense to > do it this way and - it's easier on English teachers too. > > I could write a volume - actually somebody has - on why we try > to teach writing based on the literature they've read. It was > started long ago by a professor at Harvard and become the > dominant model for writing instruction - and he only did it > because he Hated teaching writing and loved literature. > > A high school model that I like a lot has students trying to > replicate the style of what they just read rather than writing > essays on it. Read a short story, write a short story. Read a > poem, write a poem. Read an essay, write an essay - rather than > constantly writing essays. Why do we read fiction and then > teach expository writing off the fiction? The Harvard professor > wanted to do it that way...and we still do. > > If your students' speech - as Marjorie describes her students' > speech - - is very dialectical, that's a huge challenge for > student and teacher alike. How do you write properly if you > don't speak properly? > > But to answer your question - I jump around a lot during the > year and I move units around as I see students waxing and > waning or taking interest - I take their energy levels into > consideration when I move on to a new unit. One year I tried > doing a 'grammar day' every Wednesday and then because I came > to believe that grammar instruction did not really impact on > their writing or their speech, I came to do less and less > grammar. Students were perfectly capable of doing well on > grammar tests but looking back at me mystified when I'd circle > - "He don't act like he cares but that he might of gone > yesterday but was sick" - as needing correction... > > I've come to finish every year with a poetry unit because it > works - they like it, it's a nice finish. I find it's best to > work in 'units'. When we read a novel, we focus on the novel > with some writing. When I'm required to read x books a year, I > do it that way - I move through the reading having them write > along the way. > > I believe the research paper should be taught in the Natural > Sciences and the Social Sciences from where it comes. Research > is the foundation of modern knowledge and teaching the research > paper as just another style of writing has never made sense to > me. A research paper - such as the one that first suggested to > us that smoking was linked to cancer - or the one that > demonstrated that welfare mothers never do return to work - is > on a different level of importance than the five paragraph essay.
Big large- synonyms Crimson ruby scarlet hyponyms Dr pepper coke hyponyms Gather accumulate collect are? Synonyms or hyponyms Dirty filth and grime are? Synonyms or hyponyms I've reviewed many sourced and they have been labeled both so I woul like more insight .. Synonyms can be used in place of the word and not all of them would work..
I am a new teacher, who wishes to start a poetry club for students in a district in my area. This would eventually lead to starting a literature publication.
Right now, the school has few clubs, but there is some interest. Does anyone have any advice on how I should begin this process?
DouglasThank you for the idea, I will see how it goes.
I had considered presenting some music at some point, and explain how music often can be considered poetry with a "sound track". This is especially helpful for budding artists that I have seen in some of the classrooms.
Good idea. You ...See MoreOn 8/02/13, Douglas wrote: > Thank you for the idea, I will see how it goes. > > I had considered presenting some music at some point, and explain > how music often can be considered poetry with a "sound track". > This is especially helpful for budding artists that I have seen > in some of the classrooms.
Good idea. You can use all sorts of stimuli - photographs, pictures, paintings, sculptures, materials, objects, other poems or extracts, etc.
pixie - it depends on your local job marketThere is no way to generalize. You need to research your area, or the areas where you want to live. You say you want to make yourself more marketable. Have you already tried getting an elem position? If you have not been able to get hired in elem, what evidence do you have that taking more courses would make a difference? Many people have posted on...See MoreThere is no way to generalize. You need to research your area, or the areas where you want to live. You say you want to make yourself more marketable. Have you already tried getting an elem position? If you have not been able to get hired in elem, what evidence do you have that taking more courses would make a difference? Many people have posted on these chatboards about ageism and who-you-know or who-you-are-related-to being key factors in whether you get a job. There are plenty of young, new ed. college grads who need jobs. Many have family members employed in school systems who will help them get jobs. This is your competition. I am certified in sped and secondary English and have been subbing for a long time. Sped is no longer a ticket to a job in my area. Other areas may differ. I just posted on the job seekers board with links to two areas that seem to be looking for teachers. Can you relocate? I would not incur student loan debt just on the off chance of getting a teaching job. And keep in mind that the more education you have the more expensive you may be to hire compared to a new grad with just a bachelor's degree. Sometimes you hear of older teachers getting their dream job with no age discrimination or nepotism problems, so it does happen. Are you subbing? Several teachers in a a school district where I used to sub told me that the district likes to hire people in their 20s, especially young men. If you are Latino or bi-lingual or can coach a sport, that would be an advantage.
On 8/18/13, Mary wrote: > I'm in my early sixties and am hoping to find a teaching > job. I am actually a retired elementary teacher with > Reading certification. I want to make myself more > marketable and am thinking about taking some classes to get > certified in either Special Ed or English/Language Arts. > Since there is no Middle School English chat board I'm > wondering if you could give me your opinion. Would I be a > more desirable candidate in a middle school with special ed > or English/Language Arts certification (in addition to my > current elementary and reading certifications). Thanks so > much. (By the way do you think my age will play a factor?).
I taught in a district that would hire people in their 40s, 50s, and 60s. Special ed no longer guarantees a job but it might help because of inclusion. Subbing pays pretty well in many districts
er Sara's comments: If I could just teach writing, here's what I'd do: 1) All reading is related to the writing. We don't read for literature - we read for content for writing assignments, or as example to emulate. We assign high interest but academically challenging texts - if possible related to their other courses. (Try teaching The Declaration ...See Moreer Sara's comments: If I could just teach writing, here's what I'd do: 1) All reading is related to the writing. We don't read for literature - we read for content for writing assignments, or as example to emulate. We assign high interest but academically challenging texts - if possible related to their other courses. (Try teaching The Declaration of Independence as a reading and writing assignment - let them analyze one of the King's crimes.) 2) We work with argumentative and analysis essays - they are the hardest to learn, yet are the most common in college and the real world. Once a student understands these, the other formats are easier. 3) We vary length and time on task wildly - because the real world demands that flexibility. Essays go from 3 paragraphs to 10 or 12. (BTW, I'm hearing from college instructors that 5-8 pages in MLA format is a good length for research reports.) 4) We specifically teach MLA format - all 3 parts (document format, quotation format, and bibliography format). When possible, we apply technology, since more students will do this with technology and it supports the weaker students). 5) We teach academic honesty and guard it with TurnItIn. 6) We specifically teach students how to construct and support opinions, and how to respect yet refute opposing viewpoints. 7) Lots of brainstorming and moving from brainstorming to outlining. 8) We teach drafting paragraphs, essays and report BEFORE doing research. Doing this means students can quickly identify areas for research and separate their own ideas from those needing citation. 9) If a student doesn't make the error, we don't drag them through the remediation. 10) If a student makes an error consistently, we deliver specific remediation and have the student track personal progress. 11) Students get revision opportunities that actually improve their grade.
Now, if we all had the resources and time to actually teach like this!
We have a 1 to 1 ipad program in my school. The students do everything on the ipad. They keep all of their notes, etc. on them. Overall, I think they are terrific. Everything is orderly and easy to find. The other benefit is the accessibility to technology. We use prezi, powerpoint, moviemaker, blogs, etc. It is exciting to have all that. We also have a kindle lending library. I still love books, but it gives tremendous accessibility
In a high school English class, how could the teacher incorporate technology to have the students actively learning the material better than just with a lecture?
Create prezis, infographics, live binders, and cartoons. Use Jong to ...See MoreIf you have access to a SmartBoard, there are many activities you can do: word pair matching to create oxymorons Word sorting to create alliteration Creating Wordles of themes, poems, short texts (Gettysburg Address) to see repetition. Use quizlet to have students study
Create prezis, infographics, live binders, and cartoons. Use Jong to record your lessons and post to Edmodo.
Use your iPad, iPod, phone, and use all those great apps.
Kathy
On 9/01/13, Kelsey wrote: > In a high school English class, how could the teacher > incorporate technology to have the students actively > learning the material better than just with a lecture?
Most of us Americans have no idea of what exactly England looks like. Be sure to have photos of the areas. My 8th graders were shocked at how scary the moors were.
Dickens' works were published serially. Look to see if you can find the actual chapters in newspapers of the time - English or American.
I teach American Lit. 1 and 2, and to be perfectly honest, there's not much great literature DURING the war. Instead, I use the time to show the concepts of patriotism, jingoism, propaganda. English websites have WONDERFUL materials for WWI and WW2.
You can link Jane Austen to the Napoleonic Wars - it's a background for her works, and why the young girls were obsessed with soldiers.
I've done this with Shakespeare's Hamlet - I found several different versions of the same act, set up various televisions and computer screens, and we did a comparison-contrast. This works wonderfully well with the ghost scene and with the grave-diggers scene. The students thought they'd hate the B&W Olivier version, but he came in 2nd (he'd have been 1st if it had been in American English).
Our seniors have to study British literary history; it's the assigned curriculum for that grade. Our required "reading" is Macbeth (although I never force them to read it cold...local university has several versions on video. Shakespeare has to be experienced in performance!)
On 9/24/13, Don't you have curriculum requirements? wrote: > When I taught Brit Lit, we had limited chioce about what > literature to assign. I had difficult 11th graders, and taught > Beowulf, Canterbury Tales, Animal Farme and MacBeth, and some > poetry. I would suggest, if you have the option, skip over the > slower parts of Beowulf and emphasize the action sequences, > choose just a few Canterbury tales that are least difficult, show > video clips whenever possible. > > > > > On 9/02/13, Modern Everyman wrote: >> I've taught ENG 12 for 3 years now. The first year I did >> English Lit because that was what the other teacher did, but >> each year I make it more my own and I basically ditched English >> Lit in order to "grab" the difficult seniors. Those are my >> thoughts, but here's what I did that first year: Beowulf, >> Pygmalion, Othello (did that for 3 years...the "easy" version >> though...Othello is good), Alice in Wonderland. >> >> >> On 9/01/13, Deanne wrote: >>> Hey, everyone! >>> >>> I'm new to teaching literature, but am super excited about >>> it and am looking to learn all I can. I have been assigned >>> English 12 - British Literature. >>> >>> What are some of your favorite pieces, ideas for activities >>> and discussions, etc. >>> >>> I appreciate all input. Thank you!