I've also seen writers who simply could not put together a set of instructions, even after several assignments. Could not get the sequence correct, could not stay on the topic, left out essential details - usually they had several of these issues.
I've found more students can do non-fiction, especially argumentative, if they get the right topic.
I wouldn't be concerned just based on the fact that they haven't read a novel. Education and English are changing...when we went to school, we probably mostly did novels, but that doesn't mean it was best. In a culture in which attention spans are short, short stories are often a better option, also because if it doesn't go well, you can finish it and move on to something else. If you start a novel and it doesn't go well, you're in a real pickle as a teacher. Don't overreact just due to the jaw-droppers. As for R&J, it is a bit fishy that they haven't started it yet, but this is a similar issue to what I said above...why do students need Shakespeare to learn? Personally I think high schools should stop teaching Shakespeare, but some English teachers would want me hanged for saying that. Ask your child to explain what he/she is learning. Ask if he/she feels that she is learning. Best of luck.
SGThanks to all for your responses - much appreciated. R&J has finally been started - barely - and I still have some suspicions that something is amiss in the class, but we're going to ride it out a little longer and see what happens. Thanks again for tking the time to respond.
I am creating a poetry unit with a schooling theme. How can I create lessons that encourage the students to discover the literary elements rather than me just telling them. Thanks. I'm doing one element per poem
Reading poetry is not easy and for some students it's near to impossible. Reading poetry is different from any other kind of reading.
So the first issue is just reading it - students are taught to read for understanding and that's how they approach poetry - but poetry isn't written that way and it can't be understood really like expository writing or even like fiction.
So first - how much poetry have they read before this? How comfortable are they with poetry overall? What other units on poetry have preceded this one? The literary elements of poetry wouldn't be a place to begin with poetry but it would help to know what the first units were.
The task you're setting them to is not an easy one. How skilled are they are detecting the literary elements of a short story? How many overlaps in your literary elements are there? Take the three literary elements of the short story that they are best with and search out those three in poetry.
Then for each literary element you're trying to teach, choose the poem that all but 'screams' that literary element at them. And tell them so - and you might have to do that a few times before they get the 'feel' of it. Choose your poems carefully - they need poems that are more obvious in their use and display of the literary elements you're trying to teach.
The task you're setting them to is not an easy one. How skilled are they are detecting the literary elements of a short story? How many overlaps in your literary elements are there? Take the three literary elements of the short story that they are best with and search out those three in poetry.
I don't know exactly what you mean by a 'schooling theme' but that you're trying to school them in understanding and discovering the literary elements of poetry.
Since my students begin the semester with short stories and plays, they know the basic formalist elements, and they've been exposed to cultural, historical, and psychological strategies. Starting them on some narrative poetry gives them a little more rope.
Browning, Poe, Longfellow, Frost - there's plenty of scope for you.
Sometimes I'll provide the poem on one side of the paper and let the students individually annotate on the other side. Then, they pair and share, then pair and share some more. At some point, I bring out the post it notes, and they begin layering more information. My basket has about 10 colors and sizes of post it notes - some students enjoy color coding.
At some point, I'll create a table, using the MSWord and the data projector. I have the poem, broken up by verses or lines on one column. Then, we'll have other columns. The students read off their annotations. We'll build a really long, complex table.
I don't do this more than twice - and most students "get the concept" after the first poem.
At that point, I tell them that very few people "get" everything about every poem (and if they do, plan to major in English). However, most of them can "do" one or two or three in almost any poem, which gives them plenty of ammunition for an explication.
I've also seen writers who simply could not put together a set of instructions, even after several assignments. Could not get the sequence correct, could not stay on the topic, left out essential details - usually they had several of these issues. <...See More