I am a Languange Arts teacher who has been trying to keep her head above water! Can anyone help?
I teach multiple grades, 8 through 12th. I am in a small charter school and was just hired before the Christmas break. My principal came to me and said that the school's philosophy is that each grade level be reading a variety of novels at the same time, for example, I have a lot of split classes so the 9th graders would have to have material for 3 novels and they rotate which one they read, and so on.
Here is my problem: my head will explode. If I have to do three novels per gradelevel all at the same time. I don't know what to do about this, as this is unfamiliar territory and right now I have all the highschoolers reading a particular novel and the middle schoolers doing another. Did I mention that half of my upperclassmen are low level readers and that I just had to teach them capitalization? And on top of that, I haven't taught much high school since by student teaching days 5 years ago. I have a lot more middle school experience.
I guess I need to figure out how to differentiate instruction between all of these different grades without my head falling off. I feel like I have no personal life, as I am always doing school work and trying to catch up!
Any advice would be so appreciated from the bottom of my heart. Today after my conversation with the principal, I felt so overwhelmed and clueless...its an awful feeling!
For example: 9th grade is reading their three novels for a month. 8th/10th are doing writing units. 11th/12th are doing units on their respective American Lit/British Lit time periods out of their textbooks. All groups get vocabulary/grammar/SSR time.
The next month, the groups rotate so that everyone is getting everything, just not at the same time. (I'd probably go on and plan my curriculum maps for each class from now until the end of the year to ensure that this is the case.)
I definitely wouldn't try to teach three novels for each grade at the same time (12 novels at once?) unless I set it up as more of an independent reading project.
On 1/15/09, Meg wrote: > Hello out there. > > I am a Languange Arts teacher who has been trying to keep > her head above water! Can anyone help? > > I teach multiple grades, 8 through 12th. I am in a small > charter school and was just hired before the Christmas > break. My principal came to me and said that the school's > philosophy is that each grade level be reading a variety > of novels at the same time, for example, I have a lot of > split classes so the 9th graders would have to have > material for 3 novels and they rotate which one they read, > and so on. > > Here is my problem: my head will explode. If I have to do > three novels per gradelevel all at the same time. I don't > know what to do about this, as this is unfamiliar > territory and right now I have all the highschoolers > reading a particular novel and the middle schoolers doing > another. Did I mention that half of my upperclassmen are > low level readers and that I just had to teach them > capitalization? And on top of that, I haven't taught much > high school since by student teaching days 5 years ago. I > have a lot more middle school experience. > > I guess I need to figure out how to differentiate > instruction between all of these different grades without > my head falling off. I feel like I have no personal life, > as I am always doing school work and trying to catch up! > > Any advice would be so appreciated from the bottom of my > heart. Today after my conversation with the principal, I > felt so overwhelmed and clueless...its an awful feeling! > > MC >
Without a strong context and historical understanding of the WWII era and the Japanese Internment, I do not know how 'interesting' or 'engaged' the students will be with her "Journey Home" title, the second half of her story...
Post your email here and I will forward you what I have for "Journey to Topaz" if you think it might be helpful.
On 1/28/09, Diane wrote: > HI, > Journey Home by Y. Uchida > Desperate for lower level materials for some LS studens in > my 7th grade, I found some copies of this book languishing > in the bookroom. > If anyone can post/send test, literary units or other > material used with it in the past I'd appreciate it. > In 1989 it was in a Houghton-Mifflin Literature series. > I've searched the publisher's websites, bookrags, > Sparknotes and other likely places. > > Thanks in advance. > D. Smith
Heidi R.revious link was bad. Let me try that again: > Take a look at Persuade Star, ReadWriteThink Persuasion Map, > and Writing Materials from the OWL at Purdue, all described > here.
I have yet to give a demo lesson, but it looks like I will have to do this at some point -- assuming I get another interview. Truth is, I have no idea how to go about this. Yes, I have taught before, but I do not have any one English lesson I feel so great about that I can get up and pull it off in front of a bunch of strangers. (I am sure I will be chastised by someone for saying this, but I do get nervous in interviews and have been known to psyche myself up and choke in situations where I am expected to present to an audience. I know teachers are not supposed to get so anxious as we are obviously public speakers by trade, but I do, sometimes.)
I really wish my graduate training had addressed this concept of a demo lesson. I know at one of our state schools they prepare students specifically for a demo.
I would truly appreciate hearing any ideas from more seasoned teachers. I do not have much experience, myself, and I am not even sure what administrators are looking for.
We inspire our students to read by discussing works - in this case, of literature - with them, asking questions of individual students about parts of the work, then asking another and another student to comment on the answer given, gently "nudging" the class towards what we ourselves know about the work: its main character, the advance or decline of that character in steps that lead to the end of the novel.
There is little hope for the teacher who, herself, does not know and love well the work under consideration, who does not see the cause-and-effect progress of the story, for that is the place to start. For resistant students ("Bolivians don't read"??) it is important - once the teacher is confident in her own knowledge of the work - to begin with a class reading of the first one or two paragraphs of the story, asking where the story seems to be going, what is it emphasizing and what might be made of such a direction, adding paragraphs in the reading and incorporating them with what has been agreed upon before. Once this is underway, subsequent classes might begin with simple quizzes on individual chapters (to be sure the students have actually read the material) - perhaps one at a time - followed by in-class discussions in the manner described above.
This cannot be hurried; there is little more destructive of good teaching and learning than the must- cover-the-material attitude. If we run out of time for the treatment of a work, it is better to summarize and move on to the next assignment than to accept the disastrous, stupid idea that *quantity of facts* is more important than *quality of careful judgement of them.*
If Bolivians don't read - Bolivia is not a wealthy nation - then I wouldn't jump into characterization, irony, points of view, genres etc. Those ideas are based on the assumption that students have read and a fair bit.
She should find a book and start them reading, just reading. Get them talking about what they're reading, get them thinking or starting to reflect about the reading. Characterization etc can wait.
Your daughter is welcome to e-mail me - I've taught ESL for many years. Does your daughter read? Of course - what book in Spanish is her favorite? Have her tell them about the book and why. She should spend at least a month or maybe several months just helping them to build a relationship with reading and literature and in the ideal world, bringing them to a love of reading and a thirst to read more and know more.
Do Bolivians tell stories? This would be a VERY valid exercise - oral tradition is a part of literature - it just wasn't written down. What are their stories? Have them tell their stories and write them down.
Your daughter is to be commended for her willingness to go to Bolivia and work. I'd be happy to hear from her. Wish her bueno suerte - my Spanish isn't as good as hers - but I think that's good luck. > > We inspire our students to read by discussing works - > in this case, of literature - with them, asking questions of > individual students about parts of the work, then asking > another and another student to comment on the answer given, > gently "nudging" the class towards what we ourselves know > about the work: its main character, the advance or decline > of that character in steps that lead to the end of the > novel. > > There is little hope for the teacher who, herself, > does not know and love well the work under consideration, > who does not see the cause-and-effect progress of the > story, for that is the place to start. For resistant > students ("Bolivians don't read"??) it is important - once > the teacher is confident in her own knowledge of the work - > to begin with a class reading of the first one or two > paragraphs of the story, asking where the story seems to be > going, what is it emphasizing and what might be made of such > a direction, adding paragraphs in the reading and > incorporating them with what has been agreed upon before. > Once this is underway, subsequent classes might begin with > simple quizzes on individual chapters (to be sure the > students have actually read the material) - perhaps one at a > time - followed by in-class discussions in the manner > described above. > > This cannot be hurried; there is little more > destructive of good teaching and learning than the must- > cover-the-material attitude. If we run out of time for the > treatment of a work, it is better to summarize and move on > to the next assignment than to accept the disastrous, stupid > idea that *quantity of facts* is more important than > *quality of careful judgement of them.* > > L. Swilley
I was wondering if anyone has any good small group (3 - 6 students) lesson activities for Night by Elie Wiesel? Also, if you happen to know of any good unit plans or lesson plans online, it would be appreciated.
The Giver is really fantasy - kids either love this book or hate it. The City of Ember is another -it's less cerebral than The Giver, it's truly science fiction and it's pretty good and part of series if some kids wanted to read further.
I'll be teaching Orson Scott Card's Ender's Game this year to my 7th graders. It's daunting because of its sheer volume, but you can get them hooked with some oral reading early on. After they get hooked, they should be fine reading on their own.
Of course, I give the student his or her own share of candy near the end of the lesson and we break down the students' feelings at the end so any emotions come out and so we can link our experience to the lottery in the story.
You have to be very careful with this kind of exercise, but if done correctly it can have powerful results. The students tend to enjoy both the simulation and the actual story quite a bit.
On 3/11/09, thewingsofthedove wrote: > Hello, > I'm a teacher of English at a high School in Turkey and I > want to teach Shirley Jackson's "the Lottery". However, I > want to support my lesson with extra material such as a > film or play version of the story, too. I want to get help > from teachers who have a film/play version of the story if > possible. As far as I know there are various films at > various lengths but they are not free and will take time > to obtain. Any information and comments on the story will > be appreciated, too. :) Thank you in advance.
thewingsofthedoOn 3/15/09, Cristy wrote: > Hmmm...I don't know anything about any films. I love "The > Lottery" though. We begin with a mock lottery of our own. I > bring in a black box with blank piece of paper and just one > paper with a black dot on it. "Families" (groups of students) > each draw a slip of paper and the members of the family wit...See MoreOn 3/15/09, Cristy wrote: > Hmmm...I don't know anything about any films. I love "The > Lottery" though. We begin with a mock lottery of our own. I > bring in a black box with blank piece of paper and just one > paper with a black dot on it. "Families" (groups of students) > each draw a slip of paper and the members of the family with > the black dot then draw a second time. The family member who > gets the dot again "wins" the lottery, but I don't tell the > student what the prize is until the end of the story. I am > very dramatic while presenting this and even have a giant bowl > of candy sitting on the table as a prize. After we read the > story I announce that everyone else in the class gets the > candy except the student who won the lottery. > > Of course, I give the student his or her own share of candy > near the end of the lesson and we break down the students' > feelings at the end so any emotions come out and so we can > link our experience to the lottery in the story. > > You have to be very careful with this kind of exercise, but if > done correctly it can have powerful results. The students > tend to enjoy both the simulation and the actual story quite > a bit. > > On 3/11/09, thewingsofthedove wrote: >> Hello, >> I'm a teacher of English at a high School in Turkey and I >> want to teach Shirley Jackson's "the Lottery". However, I >> want to support my lesson with extra material such as a >> film or play version of the story, too. I want to get help >> from teachers who have a film/play version of the story if >> possible. As far as I know there are various films at >> various lengths but they are not free and will take time >> to obtain. Any information and comments on the story will >> be appreciated, too. :) Thank you in advance. > Thank you for the idea, Cristy. I will definitely use your suggestion and try to adapt it to my own classroom and students. thanks again.
For example: 9th grade is reading their three novels for a month. 8th/10th are doing writing units. 11th/12th are doing units on their respective American Lit/British Lit time periods out ...See More